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"Prison Fantasy #1" by David Alfaro Siqueiros (1896-1974) is a rare lithograph from the "Prison Fantasy Series" produced on heavy paper in 1968. Siqueiros is considered one of Mexico's most important artists, and this abstract is one of his more desirable prints. It is in excellent condition without any evidence of fading or damage. The paper is a uniform ivory tone, and we have not removed it from the frame. There is no visible burn at the edge of the mat. The print is signed in pencil in the lower right and numbered 245/250 in pencil in the lower left. The image size is 18 by 14 inches, and the overall frame size is 27.5 by 22 inches. A very old certificate of authenticity is attached to the back.

Price: $495

David Alfaro Siqueiros Biography

David Alfaro Siqueiros (born December 29, 1896, Chihuahua, Mexico—died January 6, 1974, Cuernavaca), Mexican painter and muralist whose art reflected his Marxist political ideology, was one of the three founders of the modern school of Mexican mural painting (along with Diego Rivera and José Clemente Orozco). A political activist since his youth, Siqueiros studied at the San Carlos Academy of Fine Arts, Mexico City, before leaving in 1913 to fight in the army of Venustiano Carranza during the Mexican Revolution. Later he continued his art studies in Europe.

In 1922, after returning to Mexico, Siqueiros helped paint the frescoes on the walls of the National Preparatory School and also began organizing and leading unions of artists and workingmen. During the Spanish Civil War (1936–39), he commanded several brigades for the Republicans. Over four decades, his labour-union work and his communist political activities led to numerous jailings and periods of exile. He visited the United States, the Soviet Union, and many Latin American countries as a lecturer and guest artist.

Most of Siqueiros's large murals are in government buildings in Mexico. His murals are distinguished by great dynamism and compositional movement, monumental size and vigour, sculptural treatment of forms, and a limited colour range that is subordinated to dramatic effects of light and shadow. Siqueiros and his followers produced thousands of square metres of vivid wall paintings in which numerous social, political, and industrial changes were portrayed from a left-wing perspective. He commonly used synthetic lacquer colours sprayed from paint guns in order to speed up the process of decorating large public buildings. He also did many easel paintings, the best-known of which is perhaps Echo of a Cry (1937).

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